The Artistry of Shakespeare's ProseRoutledge, 13.09.2013 - 464 Seiten First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's ...
... significant groupings or stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's ...
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... significance of the degeneration of Othello into a frenzy or Lady Macbeth into her sleepwalking being matched by a ... significant by-product for our knowledge of Elizabethan acting, which must in any case have used a fairly formalized ...
... significance of the degeneration of Othello into a frenzy or Lady Macbeth into her sleepwalking being matched by a ... significant by-product for our knowledge of Elizabethan acting, which must in any case have used a fairly formalized ...
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... significant, in that very few plays end on the low level of prose (excepting the witty epilogues of As You Like It ... Significantly, once the more brutal First Murderer breaks the spell and kills Clarence, his more sensitive partner ...
... significant, in that very few plays end on the low level of prose (excepting the witty epilogues of As You Like It ... Significantly, once the more brutal First Murderer breaks the spell and kills Clarence, his more sensitive partner ...
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... significant light compared to the main events. In the earliest comedies the clown scenes are often tenuously related (I cannot see much organic connection in The Comedy of Errors), but one important function is for the clown to mock his ...
... significant light compared to the main events. In the earliest comedies the clown scenes are often tenuously related (I cannot see much organic connection in The Comedy of Errors), but one important function is for the clown to mock his ...
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... significant repetitions of keywords which F. C. Kolbe has documented.3 ii. situational imagery: whereas thematic imagery represents the movement of the whole play, this category dramatizes an important situation within it; such as the ...
... significant repetitions of keywords which F. C. Kolbe has documented.3 ii. situational imagery: whereas thematic imagery represents the movement of the whole play, this category dramatizes an important situation within it; such as the ...
Inhalt
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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abuse action answer appears applied argument attitude becomes begins better character clown comedy comes comic complete continues contrast Coriolanus course created critics death deflating described detail device direct effect Elizabethan equivocation expressed eyes Falstaff feeling figure final follows fool force further give given goes Hamlet hand hath human humour Iago imagery images important ironic King language later lines logic look lord master meaning mock nature never normal once Pandarus parallel Parolles pattern perhaps person piece play plot present produces prose reason repartee repetition rhetorical scene seems seen sense serious Shakespeare shown significant situation soliloquy speak speech stage structure style stylistic suggest symmetries tell thee thing thou Troilus true turn verse whole witty