The Artistry of Shakespeare's ProseRoutledge, 13.09.2013 - 464 Seiten First published in 1968. This re-issues the revised edition of 1979. The Artistry of Shakespeare's Prose is the first detailed study of the use of prose in the plays. It begins by defining the different dramatic and emotional functions which Shakespeare gave to prose and verse, and proceeds to analyse the recurrent stylistic devices used in his prose. The general and particular application of prose is then studied through all the plays, in roughly chronological order. |
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... stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's language is an increasingly ...
... stage-movement – and that the student of Shakespeare's style must try to relate these and such other factors as 'setting, characters, dialogue, action and theme', to the language of the plays. Shakespeare's language is an increasingly ...
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... stage direction: Malevole shifteth his speech' (p. 156). The stylistic implication of this difference in the tone or speed of enunciation is that we must accept the alternations between prose and verse as being not accidental but ...
... stage direction: Malevole shifteth his speech' (p. 156). The stylistic implication of this difference in the tone or speed of enunciation is that we must accept the alternations between prose and verse as being not accidental but ...
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... stage: first with Lord Say, whom the mob cruelly murders (IV, vii, 59 ff.), then with Buckingham and Clifford, whose patriotic verse succeeds in winning away the fickle mob from Cade (IV, viii – so prefiguring the triumph of verse over ...
... stage: first with Lord Say, whom the mob cruelly murders (IV, vii, 59 ff.), then with Buckingham and Clifford, whose patriotic verse succeeds in winning away the fickle mob from Cade (IV, viii – so prefiguring the triumph of verse over ...
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... stage, and for the first time are given prose to each other, which after the preceding verse, shows as it were their separateness (in love, and as we are about to see, in loyalty) from the rest of the people: Katharine Husband let's ...
... stage, and for the first time are given prose to each other, which after the preceding verse, shows as it were their separateness (in love, and as we are about to see, in loyalty) from the rest of the people: Katharine Husband let's ...
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... stage by, say, compressing the emergence of Eliza Doolittle's 'Received Standard English' into five minutes. And having achieved this step up to an assumed dignity and style Shakespeare exploits it by inserting into this new frame ...
... stage by, say, compressing the emergence of Eliza Doolittle's 'Received Standard English' into five minutes. And having achieved this step up to an assumed dignity and style Shakespeare exploits it by inserting into this new frame ...
Inhalt
From Clown to Character | |
The World of Falstaff | |
Gay Comedy | |
Two Tragic Heroes | |
Serious Comedy | |
Clowns Villians Madmen | |
The Return of Comedy | |
Conclusion | |
Notes | |
Index | |
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Häufige Begriffe und Wortgruppen
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