The True and the Beautiful in Nature, Art, Morals, and Religion: Selected from the Works of John Ruskin [...]J. Wiley, 1864 - 452 Seiten |
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Seite viii
... Elements of the Gothic , 166 Savageness , 166 The Grotesque , 168 Contrast between Northern and Southern countries , 172 Gothic windows and roofs , · 174 · The Gothic in Domestic Architecture , The Renaissance , . Early Renaissance ...
... Elements of the Gothic , 166 Savageness , 166 The Grotesque , 168 Contrast between Northern and Southern countries , 172 Gothic windows and roofs , · 174 · The Gothic in Domestic Architecture , The Renaissance , . Early Renaissance ...
Seite xxv
... Elements of Draw- ing , in three Letters to Beginners . " He always writes con amore , but never more so than in this valuable little treatise . Mr. Ruskin is not only a practical artist , but he has also had much experience in teaching ...
... Elements of Draw- ing , in three Letters to Beginners . " He always writes con amore , but never more so than in this valuable little treatise . Mr. Ruskin is not only a practical artist , but he has also had much experience in teaching ...
Seite 12
... elements , and the fair variety of change and assimilation that turns the dust into the crystal , and separates the waters that be above the firmament from the waters that be beneath ; and in its lowest form , it is the working and ...
... elements , and the fair variety of change and assimilation that turns the dust into the crystal , and separates the waters that be above the firmament from the waters that be beneath ; and in its lowest form , it is the working and ...
Seite 18
... elements of beauty comparatively ineffectual : though , on the other hand , it is to be observed that it is rather a mode of arrangement of qualities than a quality itself ; and hence sym- metry has little power over the mind , unless ...
... elements of beauty comparatively ineffectual : though , on the other hand , it is to be observed that it is rather a mode of arrangement of qualities than a quality itself ; and hence sym- metry has little power over the mind , unless ...
Seite 60
... element , for glory and for beauty ? or how shall we follow its eternal changefulness of feeling ? It is like trying to paint a soul . Few people , comparatively , have ever seen the effect on the sea of a powerful gale continued ...
... element , for glory and for beauty ? or how shall we follow its eternal changefulness of feeling ? It is like trying to paint a soul . Few people , comparatively , have ever seen the effect on the sea of a powerful gale continued ...
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appearance arch architect architecture artists beauty beneath blue bough building character Christ chrysoprase church clouds color creature dark death deep delicate delight Divine earth evil expression faith fear feeling foam fulness give glory God's Gothic Gothic architecture grace grass heart heaven hills hollow human idea ideal imagination intellect JOHN RUSKIN kind Lamp Laocoon less light lines look lower marble marble church Masaccio mean mind Mino da Fiesole mist mountain nature ness never noble observe ornament painter painting passing passions Paul Veronese peculiar perfect Perugino picture pine pleasure poor man's Bible present pure purity purple racter rational architecture rocks roof sculpture seen sense shadow snow spirit stone Stones of Venice strange stream strength things thought tion Titian trees truth utmost vapor Venetian schools Venice waves whole wind word