Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 80Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 67
Seite 55
... final words in the play . " And yet the two have grown strangely even more intimate . They will enter together in the play's final scene , exit together in mid - scene , and re - enter together as Ganymede undergoes yet another ...
... final words in the play . " And yet the two have grown strangely even more intimate . They will enter together in the play's final scene , exit together in mid - scene , and re - enter together as Ganymede undergoes yet another ...
Seite 103
... final impres- sion is one of time profaned . Indeed , it is " Falstaff , good night . " Although Falstaff has not altogether lost his charm in Part Two , he is no longer so outlandishly inconsequen- tial . He has acquired authority ...
... final impres- sion is one of time profaned . Indeed , it is " Falstaff , good night . " Although Falstaff has not altogether lost his charm in Part Two , he is no longer so outlandishly inconsequen- tial . He has acquired authority ...
Seite 124
... final line , when he discovered he'd emptied the bottle , upended it to check , and then clapped the cork back in , on " there's an end . " The audience roared its appreciation . I should emphasize that I didn't direct MacDougal to do ...
... final line , when he discovered he'd emptied the bottle , upended it to check , and then clapped the cork back in , on " there's an end . " The audience roared its appreciation . I should emphasize that I didn't direct MacDougal to do ...
Inhalt
As You Like | 1 |
Character Studies | 13 |
Production Reviews | 28 |
Urheberrecht | |
16 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor All's Angelo Arden audience Banquo becomes bed trick Cambridge Celia character Claudio comedy comic critics Cymbeline death deed Desdemona desire dramatic Duke Duncan Elizabethan English equivocation Falstaff fantasy father fear figure fool Hal's Hamlet hath Helena Henry Henry IV plays Hero Hotspur human husband imagination Isabella Jaques Juliet Kate King King Lear Lady Macbeth language London Love's Labour's Lost Macduff male marriage marry matrimonial means Measure for Measure Midsummer Night's Dream moral murder nature night Orlando Othello pastoral performance Petruchio play play's political Prince problem comedies production Prospero relationship Renaissance riage Richard Richard II ritual role romantic Rosalind says scene seems sense sexual Shake Shakespeare Quarterly Shrew social speare speare's speech stage suggests symbolic Theatre theatrical thee thou tion Touchstone tragedy tragic Twelfth Night Univ University Press visual wedding wife witches woman women words