The Works of Ben Jonson...: With Notes Critical and Explanatory, and a Biographical Memoir, Band 9G. and W. Nicol, 1816 |
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Seite 53
... - randum by the Archbishop . " November 24 , 1633. Sunday in the afternoon , I christened king Charles his second son , James duke of York , at St. James's . " CVIII . AN ELEGY . ON THE LADY JANE PAWLET UNDERWOODS . 53.
... - randum by the Archbishop . " November 24 , 1633. Sunday in the afternoon , I christened king Charles his second son , James duke of York , at St. James's . " CVIII . AN ELEGY . ON THE LADY JANE PAWLET UNDERWOODS . 53.
Seite 54
... ELEGY . ON THE LADY JANE PAWLET , MARCHIONESS OF WINTON.1 What gentle ghost , besprent with April dew , Hails me so solemnly to yonder yew , And beckoning woos me , from the fatal tree To pluck a garland for herself or me ? I do obey ...
... ELEGY . ON THE LADY JANE PAWLET , MARCHIONESS OF WINTON.1 What gentle ghost , besprent with April dew , Hails me so solemnly to yonder yew , And beckoning woos me , from the fatal tree To pluck a garland for herself or me ? I do obey ...
Seite 56
... Elegy , " and indeed this passage has both pathos and beauty . It is a little singular that Jonson makes no allusion to her dying in childbed , which , it would appear from Milton's Epitaph , she actually did . He speaks of a disease ...
... Elegy , " and indeed this passage has both pathos and beauty . It is a little singular that Jonson makes no allusion to her dying in childbed , which , it would appear from Milton's Epitaph , she actually did . He speaks of a disease ...
Seite 58
... elegy on the death of this lady , beginning with these lines : " Can my poor lines no better office have , But lie like scritch - owls still about the grave ? When shall I take some pleasure for my pain , Commending them that can ...
... elegy on the death of this lady , beginning with these lines : " Can my poor lines no better office have , But lie like scritch - owls still about the grave ? When shall I take some pleasure for my pain , Commending them that can ...
Seite 64
... Elegy upon her , as has Rutter , the author of the Shepherds ' Holiday . In Ran . dolph's poem , I was struck with four lines of peculiar elegance , which I give from recollection : “ Bring all the spices that Arabia yields , Distil the ...
... Elegy upon her , as has Rutter , the author of the Shepherds ' Holiday . In Ran . dolph's poem , I was struck with four lines of peculiar elegance , which I give from recollection : “ Bring all the spices that Arabia yields , Distil the ...
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adjective adverbs ANTISTROPHE Aristotle beauty BEN JONSON BENJAMIN JONSON called CHAP Chaucer comedy counsel death declension Digby diphthongs divers doth Duggs earl ELEGY enim epode Euripides fable fair fame feign GILCHRIST glory Gower grace Greek hæc hath honour JONSON judgment Kecks king labour lady language Latin learned less letter Lidgate light litera live lord master mind modò muse nature never noble noun past perfect person Pindar Plautus plural poem poet poetry praise preposition prince quæ quàm quid Quintilian quod rhyme Scalig Sejanus Shackerley Marmion Shep shew sibi sing singular Sir Thomas sonum soul sound speak speech style substantive sweet syllabe syntax thee thine things thou thought tibi tongue true truth unto verb verse vice virtue vocalis vowels WHAL whereof whole wise words write
Beliebte Passagen
Seite 181 - Yet there happened in my time one noble speaker, who was full of gravity in his speaking. His language (where he could spare or pass by a jest) was nobly censorious. No man ever spake more neatly, more pressly, more weightily, or suffered less emptiness, less idleness, in what he uttered.
Seite 11 - A lily of a day Is fairer far, in May, Although it fall and die that night; It was the plant and flower of light. In small proportions we just beauties see; And in short measures life may perfect be.
Seite 173 - I loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed, honest, and of an open and free nature ; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
Seite 218 - Custom is the most certain mistress of language, as the public stamp makes the current money. But we must not be too frequent with the mint, every day coining, nor fetch words from the extreme and utmost ages ; since the chief virtue of a style is perspicuity, and nothing so vicious in it as to need an interpreter.
Seite 172 - For they commend writers as they do fencers or wrestlers ; who, if they come in robustiously, and put for it with a great deal of violence, are received for the braver fellows...
Seite 154 - ... scoffing. For to all the observations of the Ancients we have our own experience, which if we will use, and apply, we have better means to pronounce. It is true, they opened the gates, and made the way, that went before us; but as guides, not commanders: Non domini nostri, sed duces, fuere.
Seite 174 - Augustus said of Haterius. His wit was in his own power; would the rule of it had been so too. Many times he fell into those things could not escape laughter; as when he said in the person of Caesar, one speaking to him, "Caesar, thou dost me wrong," he replied, "Caesar did never wrong but with just cause"; and such like, which were ridiculous.
Seite 175 - They would not have it run without rubs, as if that style were more strong and manly that struck the ear with a kind of unevenness. These men err not by chance, but knowingly and willingly; they are like men that affect a fashion by themselves; have some singularity in a ruff, cloak, or hatband; or their beards specially cut to provoke beholders, and set a mark upon themselves.
Seite 211 - So did the best writers in their beginnings: they imposed upon themselves care and industry; they did nothing rashly; they obtained first to write well and then custom made it easy and a habit.
Seite 232 - Hence he is called a poet, not he which writeth in measure only, but that feigneth and formeth a fable, and writes things like the truth. For the fable and fiction is, as it were, the form and soul of any poetical work, or poem.