Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 24Indiana University Press, 1979 |
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Seite 90
... artist saw as the short- sightedly art historical , Smithson's focus was upon the more unfath- omable expanses of geologic time and its accompanying agents of material decomposition - history deposited in layered sediment , held in a ...
... artist saw as the short- sightedly art historical , Smithson's focus was upon the more unfath- omable expanses of geologic time and its accompanying agents of material decomposition - history deposited in layered sediment , held in a ...
Seite 27
... artistic practices such as performance art , body art or action art , the artist's body is used as artistic material . On the one hand , this must be seen in the context of the use of new material in art after 1945 : At this time , artists ...
... artistic practices such as performance art , body art or action art , the artist's body is used as artistic material . On the one hand , this must be seen in the context of the use of new material in art after 1945 : At this time , artists ...
Seite 31
... artist's body from the " grave issues of immateriality " ( qtd . in Restany 90 ) , as Klein described it . It protects the artist from " breaking with healthy common sense which is absolutely necessary and which becomes ' incarnated ...
... artist's body from the " grave issues of immateriality " ( qtd . in Restany 90 ) , as Klein described it . It protects the artist from " breaking with healthy common sense which is absolutely necessary and which becomes ' incarnated ...
Inhalt
Dont Know | 8 |
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Urheberrecht | |
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