Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 24Indiana University Press, 1979 |
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Seite 98
... Camera . Cinema becomes the superhuman superannuation of the individual , his or her's new eyes and ears.1 Against Eisenstein's overdetermined organization , Vertov poses a kind of de - termined organization , an organization of fram ...
... Camera . Cinema becomes the superhuman superannuation of the individual , his or her's new eyes and ears.1 Against Eisenstein's overdetermined organization , Vertov poses a kind of de - termined organization , an organization of fram ...
Seite 99
... camera - eye . Both eyes see different aspects , differ- ent " truths " of vision - but they see . The scientistic terms Vertov uses are attempts to express the purity of this seeing . This seeing sees through an aspect , the camera's ...
... camera - eye . Both eyes see different aspects , differ- ent " truths " of vision - but they see . The scientistic terms Vertov uses are attempts to express the purity of this seeing . This seeing sees through an aspect , the camera's ...
Seite 102
... camera “ sees . ” Consider the eight - hour Andy Warhol film of a person sleeping ( Sleep , 1963 ) . The camera - eye can record this more efficiently and accurately than the human eye can , and in this way sees through an aspect of its ...
... camera “ sees . ” Consider the eight - hour Andy Warhol film of a person sleeping ( Sleep , 1963 ) . The camera - eye can record this more efficiently and accurately than the human eye can , and in this way sees through an aspect of its ...
Inhalt
Dont Know | 8 |
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Urheberrecht | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera Carlist cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light Lippit living look material memory mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York