Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 24Indiana University Press, 1979 |
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Seite 25
... give the impression that Mary is the one who does not belong in the room , who has just entered it . There is a harbinger to every real arrival . How can an arrival be announced and remain an event ? By being impossible . One can thus ...
... give the impression that Mary is the one who does not belong in the room , who has just entered it . There is a harbinger to every real arrival . How can an arrival be announced and remain an event ? By being impossible . One can thus ...
Seite 12
... give you a consistent point of entry ” ( xvii ) , produces that ideology of the film which has permitted his ... gives the impression that he is “ a blinking fruit . " The outburst " That is me ! " comes just as the camera goes in to the ...
... give you a consistent point of entry ” ( xvii ) , produces that ideology of the film which has permitted his ... gives the impression that he is “ a blinking fruit . " The outburst " That is me ! " comes just as the camera goes in to the ...
Seite 62
... gives the very impression of time as it unfolds . The musical impression is thus at odds with the wax tablet model ... give the illu- sion that a soul exists , like a homunculus seated at the keyboard . But it is only the illusion of ...
... gives the very impression of time as it unfolds . The musical impression is thus at odds with the wax tablet model ... give the illu- sion that a soul exists , like a homunculus seated at the keyboard . But it is only the illusion of ...
Inhalt
Dont Know | 8 |
Kneeling Angel with Mountainous Wings a k a Toward | 23 |
Because the Night A Sentimental | 38 |
Urheberrecht | |
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ACTOR aesthetic angel animal appearance archive artist aspect audience avant-garde aviary Bataille Baudelaire become Beirut Blade Runner body Brian camera Carlist cinema Conceptual Art consciousness created critical culture Day for Night day-for-night dead death Derrida desire disappearance Discourse dream earthwork essay event existence experience eyes Falange father fiction film frame Franco function gaze human Ibn Arabî imagination Jetty's Joana Hadjithomas Joseph Kosuth Khalil Joreige kind kino-eye Kosuth Krauss lake landscape language Lascaux light Lippit living look material memory mind modern montage mortal move movements multiple nature object painted past perception philosophy photographs picture play political present propaganda Proust reality Robert Smithson ruin scene seen sense social space species Spiral Jetty Theaetetus things tion Trans tree University Press vanishing Velvet Goldmine Vertov vision visual Wayne State University women words writing York