The Nature of Roman Comedy: A Study in Popular EntertainmentBristol Classical Press, 1994 - 509 Seiten No Marketing Blurb |
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Seite 116
... called " the convention of the creaking door . " The following illustrations are typical : I'll stop talking ; the door creaked ; there he is , he's coming out . . . . ( Amph . 496 f .; cf. Aul . 665 , Phorm . 840 , Ad . 264 ) But our ...
... called " the convention of the creaking door . " The following illustrations are typical : I'll stop talking ; the door creaked ; there he is , he's coming out . . . . ( Amph . 496 f .; cf. Aul . 665 , Phorm . 840 , Ad . 264 ) But our ...
Seite 198
... called difficulties are a matter of sub- jective opinion ; to one scholar a certain passage seems unnecessary or strikes a discordant note ; therefore it cannot be good Attic style and must be crude Roman workmanship ; to another the ...
... called difficulties are a matter of sub- jective opinion ; to one scholar a certain passage seems unnecessary or strikes a discordant note ; therefore it cannot be good Attic style and must be crude Roman workmanship ; to another the ...
Seite 306
... called ridiculous . ... When we laugh at the folly of our friends , pleasure , in mingling with envy , mingles with pain , for envy has been acknowledged by us to be mental pain , and laughter is pleasant ; and so we envy and laugh at ...
... called ridiculous . ... When we laugh at the folly of our friends , pleasure , in mingling with envy , mingles with pain , for envy has been acknowledged by us to be mental pain , and laughter is pleasant ; and so we envy and laugh at ...
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The Nature of Roman Comedy: A Study in Popular Entertainment George Eckel Duckworth Keine Leseprobe verfügbar - 1994 |
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action actors Adelphoe affair Amphitruo amusing ancient appear attempt audience believes century characters Chremes classical closely comic considered convention critics deception desire discussion door dramatic earlier early effect elements English Epid Epidicus especially expression fact father frequently girl give Greek Greek Comedy Greek originals humor identity important influence instances interest intrigue Italian Italy lack later Latin laughter less master means Menander mentioned method Miles monologue nature numerous original parasite passages perhaps person Plautine Plautus and Terence plays playwrights plot points possible present problem prologue Pseud Pseudolus recognition references result reveal roles Roman comedy says scenes seems situation slave soldier song spectators stage Studies suggests surprise Terence's theme theory tion translation Trinummus trochaic true usually verses wife young youth