Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 302
... Leontes's submission to Paulina sweeps aside hierarchical imperatives and helps atone for his vilification of women . If , as Enid Welsford suggests , King Lear depicts the coronation of the Fool and the investment of the King with ...
... Leontes's submission to Paulina sweeps aside hierarchical imperatives and helps atone for his vilification of women . If , as Enid Welsford suggests , King Lear depicts the coronation of the Fool and the investment of the King with ...
Seite 320
... Leontes before persuading their friend to stay ( 11. 29-30 ) . Leontes therefore shifts quickly from " Well said , Hermi- one " ( 1. 33 ) , to churlish acknowledgment of her rhetorical power . He understands her persuasive speech not as ...
... Leontes before persuading their friend to stay ( 11. 29-30 ) . Leontes therefore shifts quickly from " Well said , Hermi- one " ( 1. 33 ) , to churlish acknowledgment of her rhetorical power . He understands her persuasive speech not as ...
Seite 324
... Leontes , once he has lost the rhetorical competition with his wife , spends much of the play trying ( and failing ) to control his own language and the language of others . For Leontes the fact that tongues other than his own can speak ...
... Leontes , once he has lost the rhetorical competition with his wife , spends much of the play trying ( and failing ) to control his own language and the language of others . For Leontes the fact that tongues other than his own can speak ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York