Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 119
... action . In genuine plays within plays , as in any regular play , the action is presented as autonomous , the events portrayed as beyond the control of either actor or spectator . A play creates its own world ; whatever its relevance to ...
... action . In genuine plays within plays , as in any regular play , the action is presented as autonomous , the events portrayed as beyond the control of either actor or spectator . A play creates its own world ; whatever its relevance to ...
Seite 161
... action of reform by removing in advance any real need or occasion for it . Despite this apparent voiding , a persistent " need " for reform as well as an action supposedly effecting it continues to be inscribed in 2 Henry IV . As ...
... action of reform by removing in advance any real need or occasion for it . Despite this apparent voiding , a persistent " need " for reform as well as an action supposedly effecting it continues to be inscribed in 2 Henry IV . As ...
Seite 291
... action proceeds from Shakespeare's tragi- comic understanding of human experience . In other words , the playwright has devised a distinctive language for the distinctive form of his last works . Such a correspondence of style and ...
... action proceeds from Shakespeare's tragi- comic understanding of human experience . In other words , the playwright has devised a distinctive language for the distinctive form of his last works . Such a correspondence of style and ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York