Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 87
Seite 40
... begins to be prejudicial to what is indispensable , is called luxury " ( Kant , p . 432 ) . 9. See Sigmund Freud ... begin to feel that they have been climbing up and down a ladder built after a familiar pattern , there is probably ...
... begins to be prejudicial to what is indispensable , is called luxury " ( Kant , p . 432 ) . 9. See Sigmund Freud ... begin to feel that they have been climbing up and down a ladder built after a familiar pattern , there is probably ...
Seite 129
... begins to solidify , greasily , into unnerving real- isms of social class and gender . For the first time in this always dangerous territory , the old man's bulk begins to be touched by the queasily androgynous : as when , self ...
... begins to solidify , greasily , into unnerving real- isms of social class and gender . For the first time in this always dangerous territory , the old man's bulk begins to be touched by the queasily androgynous : as when , self ...
Seite 208
... begins his shift . Having just learned that he will not be able to separate Macduff from Malcolm , and that both are about to invade Scotland with a very powerful English army , it is " Goodbye Macbeth , hello Malcolm ! " From this ...
... begins his shift . Having just learned that he will not be able to separate Macduff from Malcolm , and that both are about to invade Scotland with a very powerful English army , it is " Goodbye Macbeth , hello Malcolm ! " From this ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York