Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 38
... culture outside the play . The easiest to see is the society of the material fools , symbol- ized by T and A , " for whom everything is merely physiol- ogy . Students of physical education come to mind , for whom work is lifting weights ...
... culture outside the play . The easiest to see is the society of the material fools , symbol- ized by T and A , " for whom everything is merely physiol- ogy . Students of physical education come to mind , for whom work is lifting weights ...
Seite 39
... culture of Touchstone can be reduced to culture embodied in particular unique empirical artifacts , to which the only valid question is " isn't that interesting ? " and the only politically correct answer is " yes . " If you don't say ...
... culture of Touchstone can be reduced to culture embodied in particular unique empirical artifacts , to which the only valid question is " isn't that interesting ? " and the only politically correct answer is " yes . " If you don't say ...
Seite 344
... culture is only dominated to a rela- tive degree by the Elizabethan - Jacobean court , and the play of signification , as the play of power , is far more open than some New Historical criticism would suggest . The important work of New ...
... culture is only dominated to a rela- tive degree by the Elizabethan - Jacobean court , and the play of signification , as the play of power , is far more open than some New Historical criticism would suggest . The important work of New ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York