Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 199
... evil . Satan must , to oppose God completely , represent evil loved for itself . Hecate demonstrates the impossibility of this idea . Once one postulates beings that bring evil into the world , and contrive all harms , they do so for ...
... evil . Satan must , to oppose God completely , represent evil loved for itself . Hecate demonstrates the impossibility of this idea . Once one postulates beings that bring evil into the world , and contrive all harms , they do so for ...
Seite 217
... EVIL Despite the optimism associated with Malcolm's final ac- cession to the throne , the atmosphere of Macbeth is gener- ally dark , repellent , threatening . This effect is achieved by an unnatural poetic exaggeration , emphasizing ...
... EVIL Despite the optimism associated with Malcolm's final ac- cession to the throne , the atmosphere of Macbeth is gener- ally dark , repellent , threatening . This effect is achieved by an unnatural poetic exaggeration , emphasizing ...
Seite 218
... evil for the sake of evil . Is arranging Mac- beth's doom on a par for the witches with cherishing a pilot's thumb ? Hecate's motive seems to be her art or craft itself : paradoxically , it is only her love of excellence that makes her ...
... evil for the sake of evil . Is arranging Mac- beth's doom on a par for the witches with cherishing a pilot's thumb ? Hecate's motive seems to be her art or craft itself : paradoxically , it is only her love of excellence that makes her ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York