Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 83
Seite 157
... fear of time itself . Our first clock is appetite , and time first presents itself to us as that which intervenes between appetite and its satisfaction , and its rebirth . The time we thus perceive through appetite is circular in nature ...
... fear of time itself . Our first clock is appetite , and time first presents itself to us as that which intervenes between appetite and its satisfaction , and its rebirth . The time we thus perceive through appetite is circular in nature ...
Seite 193
... fear of Banquo's children , and thereafter in the fear of challenger after challenger , until at last he will have no choice but to accept the joyless , sleepless existence await- ing a death he has spent the best part of his life ...
... fear of Banquo's children , and thereafter in the fear of challenger after challenger , until at last he will have no choice but to accept the joyless , sleepless existence await- ing a death he has spent the best part of his life ...
Seite 212
... fear that he puts on his armor and takes it off again , and gives orders to " Hang those that talk of fear . " A moment later , Macbeth hears a dreadful cry , and remarks that " I have almost forgot the taste of fears , " remembering ...
... fear that he puts on his armor and takes it off again , and gives orders to " Hang those that talk of fear . " A moment later , Macbeth hears a dreadful cry , and remarks that " I have almost forgot the taste of fears , " remembering ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York