Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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... gender roles are reversed , social restrictions loosened , and time suspended - has garnered much critical attention throughout the twentieth century . Scholars frequently compare Arden to the setting in A Midsummer Night's Dream , and ...
... gender roles are reversed , social restrictions loosened , and time suspended - has garnered much critical attention throughout the twentieth century . Scholars frequently compare Arden to the setting in A Midsummer Night's Dream , and ...
Seite 23
... gender undecidability associated with female loudness can be seen in The Roaring Girl by Middleton and Dekker , where the principal character cannot be pinned down by gender and switches roles and costumes throughout the play . As Sir ...
... gender undecidability associated with female loudness can be seen in The Roaring Girl by Middleton and Dekker , where the principal character cannot be pinned down by gender and switches roles and costumes throughout the play . As Sir ...
Seite 86
... gender is " put on " by the actor . 56. Castiglione , Bk . 2 , Sec . 11 ( p . 103 ) , cited in Thomas M. Greene , " Il Cortegiano and the Choice of a Game , " in Castiglione : The Ideal and the Real in Renaissance Culture , ed . Robert ...
... gender is " put on " by the actor . 56. Castiglione , Bk . 2 , Sec . 11 ( p . 103 ) , cited in Thomas M. Greene , " Il Cortegiano and the Choice of a Game , " in Castiglione : The Ideal and the Real in Renaissance Culture , ed . Robert ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York