Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 57Gale Research Company, 1984 |
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Seite 89
... political plays that address contemporary political issues . ] There was once a summer school at the other Stratford where , in two successive hours , a first speaker said that anyone who doubted the unity of the great continuous ten ...
... political plays that address contemporary political issues . ] There was once a summer school at the other Stratford where , in two successive hours , a first speaker said that anyone who doubted the unity of the great continuous ten ...
Seite 109
... political dimension ; yet when everything is political nothing is ; there must be distinctions . I cannot go to the other extreme , however , and agree with David Womersley that ' the political interpretations we offer of Elizabethan ...
... political dimension ; yet when everything is political nothing is ; there must be distinctions . I cannot go to the other extreme , however , and agree with David Womersley that ' the political interpretations we offer of Elizabethan ...
Seite 113
... political thinker , the dramatist of ideology ? Before ad- dressing that question we ought to acknowledge that our understanding of Renaissance politics is still being formed and cannot be predicated upon the politics of our own time ...
... political thinker , the dramatist of ideology ? Before ad- dressing that question we ought to acknowledge that our understanding of Renaissance politics is still being formed and cannot be predicated upon the politics of our own time ...
Inhalt
Introduction | 1 |
History and Philosophy | 31 |
Representation and Identity | 40 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor androgyny appears Arden argues audience Banquo becomes blood body Celia character comedy comic critics culture death discourse disguise dramatic Duke Duncan early modern Elizabethan England English essay evil Falstaff fantasy father fear female Ganymede gender genre Guarini Hal's Henry Henry IV plays Henry's Hermione Hermione's Hotspur human ideology imagination Jaques King Lady Macbeth Lady Macduff language Leontes Leontes's literary London Macduff Machiavelli Malcolm male marriage masculine means moral murder narrative nature Orlando Orpheus Ovid Ovid's pastoral Paulina Perdita performance performative utterance play play's political Polixenes present Prince Hal Pygmalion queen reading reformation Renaissance Richard Richard II role romance Rosalind Ross scene seems sexual Shake Shakespeare social speak speare's speech stage statue Stephen Orgel story suggests superego theater theatrical thee thou tion tragedy tragicomedy Univ University Press violence wife Winter's Tale witches woman women words wrestling York