Chaos in the Novel: The Novel in ChaosKnopf Doubleday Publishing Group, 1974 - 400 Seiten |
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Seite 13
... begin to work on new assumptions which ultimately create a new life ( and a new art ) for ourselves . As new values are adopted , they become incorporated into the important elements of our lives— one of which is art itself . In The ...
... begin to work on new assumptions which ultimately create a new life ( and a new art ) for ourselves . As new values are adopted , they become incorporated into the important elements of our lives— one of which is art itself . In The ...
Seite 195
... begin to reflect his own experiences and state of mind , until the world he creates becomes indistinguishable from the one he inhabits . Just as Moran's report on Molloy is more about Moran than Molloy , Malone's fictional characters ...
... begin to reflect his own experiences and state of mind , until the world he creates becomes indistinguishable from the one he inhabits . Just as Moran's report on Molloy is more about Moran than Molloy , Malone's fictional characters ...
Seite 227
... begin that will dispose of me . Unfortunately I am afraid , as always , of going on . For to go on means going from here , means finding me , losing me , van- ishing and beginning again , a stranger first , then little by little the ...
... begin that will dispose of me . Unfortunately I am afraid , as always , of going on . For to go on means going from here , means finding me , losing me , van- ishing and beginning again , a stranger first , then little by little the ...
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Häufige Begriffe und Wortgruppen
absurd aesthetic Alain Robbe-Grillet artist attempt Beckett becomes begin Bulkaen Burroughs chaos chaotic vision character conception Confidence-Man confusion conscious consider create creation cutup darkness dream emotional existence experience Faulkner feel finally forces future page references Genet Harcamone human imagination Jean Genet Joe Christmas Kafka language Lily lives logic longer Lord Jim Malone Malone Dies man's Marlow matter meaning Melville Melville's metaphor Mettray mind Moby-Dick Molloy Moran mystery Myth of Sisyphus Naked Lunch narrative narrator never novel novelist objects once passage perhaps philosophical possible reader reality Robbe-Grillet Samuel Beckett scene seems sense Shandy significance silence simply Soft Machine Sterne Sterne's story structure struggle suddenly symbol techniques things Ticket That Exploded tion traditional Tristram Tristram Shandy truth trying Virginia Woolf voice Voyeur Walter Shandy Watt Woolf words writer