Cumberland's British Theatre: With Remarks, Biographical and Critical, Band 18George Daniel, John Cumberland J. Cumberland, 1828 |
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Seite 1
... STAGE , AND THE WHOLE OF THE STAGE BUSINESS , As performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A PORTRAIT OF MISS FOOTE , IN THE CHARACTER OF MOGGY M'GILPIN . Engraved on Steel by MR . WOOLNOTH , from an original Drawing ...
... STAGE , AND THE WHOLE OF THE STAGE BUSINESS , As performed at the THEATRES ROYAL , LONDON . EMBELLISHED WITH A PORTRAIT OF MISS FOOTE , IN THE CHARACTER OF MOGGY M'GILPIN . Engraved on Steel by MR . WOOLNOTH , from an original Drawing ...
Seite 6
... stage we have to record her first dramatic essay , in the character of Juliet , in July , 1810 . Her rapid improvement in the histrionic art procured her an engagement at Covent - Garden Theatre , and she made her first appearance on ...
... stage we have to record her first dramatic essay , in the character of Juliet , in July , 1810 . Her rapid improvement in the histrionic art procured her an engagement at Covent - Garden Theatre , and she made her first appearance on ...
Seite 7
With Remarks, Biographical and Critical George Daniel, John Cumberland. STAGE DIRECTIONS . The Conductors of this Work print no Plays but those which they have seen acted . The Stage Directions are given from personal observation ...
With Remarks, Biographical and Critical George Daniel, John Cumberland. STAGE DIRECTIONS . The Conductors of this Work print no Plays but those which they have seen acted . The Stage Directions are given from personal observation ...
Seite 9
... Stage rather dark . Time - Morning , twilight . CHARLEY discovered - MOGGY appears at a Window , L. S. E. DUET . Cha . The lamb and the heifer are taking their rest , Mog . The lark and the sparrow lie snug in their nest ; Cha . Pussy ...
... Stage rather dark . Time - Morning , twilight . CHARLEY discovered - MOGGY appears at a Window , L. S. E. DUET . Cha . The lamb and the heifer are taking their rest , Mog . The lark and the sparrow lie snug in their nest ; Cha . Pussy ...
Seite 10
... stage becomes gradually lighter . Enter MOGGY from the House , L. S. E. - CHARLEY steals in . Mog . Come , now I'm for you , my dilding ! [ Takes M'Gilpin under the arm . M'Gil . And I'm for you , my dolding ! [ In his own voice ...
... stage becomes gradually lighter . Enter MOGGY from the House , L. S. E. - CHARLEY steals in . Mog . Come , now I'm for you , my dilding ! [ Takes M'Gilpin under the arm . M'Gil . And I'm for you , my dolding ! [ In his own voice ...
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Häufige Begriffe und Wortgruppen
Benin Bertram Briefwit captain Charley Clown Count Covent Garden Crosses CUMBERLAND TERRACE Dame dear door dress Duke Dumain Edmund Egerton Eglamour Enter Ernestine Exeunt Exit father fellow gentlemen Gentlemen of Verona girl give Greville Grumio hand happy hast hath hear heart heaven Helena Highland Reel honour JOHN CUMBERLAND Julia Kate Katharine King lady Launce Lefeu letter look lord M'Gil M'Gilpin Madame Gertrude marriage marry master Milan mistress Moggy Narbon nestine never Nicholas Old F Paroles Petruchio poor pray ring Rosambert Rose Rostrum Rousillon Sally SCENE servant Shakspeare Shelty Silvia Sir Proteus speak sweet tell THEATRES ROYAL thee there's thing thou art Thurio Tourville Valentine wife Zounds
Beliebte Passagen
Seite 44 - How use doth breed a habit in a man ! This shadowy desert, unfrequented woods, I better brook than flourishing peopled towns : Here can I sit alone, unseen of any, And, to the nightingale's complaining notes, Tune my distresses, and record my woes.
Seite 10 - They say, miracles are past; and we -have our philosophical persons, to make modern and familiar things, supernatural and causeless. Hence is it, that we make trifles of terrors; ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear.
Seite 10 - I will be master of what is mine own : She is my goods, my chattels ; she is my house, My household stuff, my field, my barn, My horse, my ox, my ass, my any thing ; And here she stands, touch her whoever dare ; I'll bring mine action on the proudest he That stops my way in Padua.
Seite 49 - Then I am paid ; And once again I do receive thee honest : — Who by repentance is not satisfied, Is nor of heaven, nor earth...
Seite 21 - Thy husband is thy lord, thy life, thy keeper, Thy head, thy sovereign ; one that cares for thee And for thy maintenance : commits his body To painful labour, both by sea and land ; To watch the night in storms, the day in cold, While thou liest warm at home, secure and safe ; And craves no other tribute at thy hands But love, fair looks, and true obedience — Too little payment for so great a debt.
Seite 30 - Who is Silvia ? what is she, That all our swains commend her ? Holy, fair, and wise is she ; The Heaven such grace did lend her, That she might admired be.
Seite 22 - I am ashamed that women are so simple To offer war where they should kneel for peace ; Or seek for rule, supremacy and sway, When they are bound to serve, love and obey.
Seite 35 - I have no other but a woman's reason ; I think him so, because I think him so.
Seite 50 - I found you wond'rous kind. There is your ring, And, look you, here's your letter ; This it says, When from my finger you can get this ring, And are by me with child, &c.