Shakespeare and the Confines of ArtMethuen, 1968 - 170 Seiten |
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Seite 49
... Frye remarks of a highly artificial comedy ' like As You Like It , that ' the sense of a show being put on never disappears from the action , and is not intended to do so'.25 So , as magic or disguise works its confusions , a Theseus or ...
... Frye remarks of a highly artificial comedy ' like As You Like It , that ' the sense of a show being put on never disappears from the action , and is not intended to do so'.25 So , as magic or disguise works its confusions , a Theseus or ...
Seite 51
... Frye's argument , which is closely woven , and delphic at times , would be a very hard task . He moves forward to the romances , and describes the kind of reality imaged at the end of those plays , ' the world we want ' . The idiotes ...
... Frye's argument , which is closely woven , and delphic at times , would be a very hard task . He moves forward to the romances , and describes the kind of reality imaged at the end of those plays , ' the world we want ' . The idiotes ...
Seite 165
... Frye , A Natural Perspective , p . 101 ; other quotations are from pp . 92 , 100 , 103-4 . 26 Modern Language Review , LVI ( 1961 ) , 248–9 . 27 For a different view of Theseus and the play - within - the - play , see J. R. Brown ...
... Frye , A Natural Perspective , p . 101 ; other quotations are from pp . 92 , 100 , 103-4 . 26 Modern Language Review , LVI ( 1961 ) , 248–9 . 27 For a different view of Theseus and the play - within - the - play , see J. R. Brown ...
Inhalt
The Contrary Valuations page | 1 |
The Sonnets to the Dark Woman | 17 |
Loves Labours Lost | 33 |
Urheberrecht | |
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