Shakespeare's A Midsummer-night's DreamAt the Clarendon Press, 1912 - 72 Seiten |
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Seite iv
... or interpretation was needed I have found my best guides in the eighteenth - century editors , in Dr. Aldis Wright , and in the Oxford Dictionary . G. S. G. OXFORD May 1 , 1912 A MIDSUMMER - NIGHT'S DREAM INTRODUCTION SOURCES OF THE PLAY.
... or interpretation was needed I have found my best guides in the eighteenth - century editors , in Dr. Aldis Wright , and in the Oxford Dictionary . G. S. G. OXFORD May 1 , 1912 A MIDSUMMER - NIGHT'S DREAM INTRODUCTION SOURCES OF THE PLAY.
Seite v
... Play . as if it were derived from something stated and precise , is to fall into the sin of formality . In the sense ... play is the least thing in it , and may have come from anywhere . It is at best an excuse for other things , for ...
... Play . as if it were derived from something stated and precise , is to fall into the sin of formality . In the sense ... play is the least thing in it , and may have come from anywhere . It is at best an excuse for other things , for ...
Seite vi
... play- wright in London . With this general proviso we may proceed to consider some questions of source which are both pertinent and interesting . The chief agents and best drawn personages in the play are the Fairies . But they are not ...
... play- wright in London . With this general proviso we may proceed to consider some questions of source which are both pertinent and interesting . The chief agents and best drawn personages in the play are the Fairies . But they are not ...
Seite vii
... play . But how unlike the King Oberon of the poem is to the King Oberon of the play may be seen from the tenth canto of the second book , where he is made the representative in allegory of the portliest and mightiest of English monarchs ...
... play . But how unlike the King Oberon of the poem is to the King Oberon of the play may be seen from the tenth canto of the second book , where he is made the representative in allegory of the portliest and mightiest of English monarchs ...
Seite viii
... play by giving their queen a classical name ; Queen Mab in the palace wood at Athens seemed incongruous even to so free a dramatist as Shakespeare . What he sought he partly found in the legend of Diana as queen of Fairies ; but he was ...
... play by giving their queen a classical name ; Queen Mab in the palace wood at Athens seemed incongruous even to so free a dramatist as Shakespeare . What he sought he partly found in the legend of Diana as queen of Fairies ; but he was ...
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anachronisms Athenian Athens awake bless Bottom brier classical Cobweb Cupid's dance dear death Demetrius Diana dote doth duke editions Egeus Exeunt Exit eyes eyne fair fairy fancy fear flower Flute Folio follow four lovers gentle give green hast hate hath hear heart Helena Hercules Hermia Hippolyta hounds king Knight's Tale lady lanthorn lion look lord love's lovers Lysander marriage meaning Merchant of Venice Methinks Midsummer-Night's Dream moon moonlight Moonshine mounsieur Mustard-seed mythology never Nick Bottom night nymph o'er Oberon Ovid palace wood passage passion Pease-blossom Peter Quince Philostrate play plot Pluto poem pray prologue Proserpine Puck Pyramus and Thisby queen Re-enter roar SCENE scorn Second Quarto sense Shake Shakespeare sleep Snout Snug speak Spenser sport Starveling stol'n story sweet Tale tears Tempest thee Theseus thing Thisby's thou Titania tongue true wall Whe'r wonder word youth