Shakespeare and His ComediesMethuen, 1957 - 207 Seiten "The comedies of Shakespeare have received substantially less critical attention than the tragedies or the histories. Dr. Brown's account of the comedies succeeds in isolating the distinctive genre as well as acknowledging the capriciousness and astonishing vitality of invention which Shakespeare brought to it."--Back cover. |
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Seite 148
... Orlando with true ' gentleness ' , and , having sheathed his sword , Orlando goes to fetch Adam and then joins ' the good man's feast ' , the visible token of order and concord in Arden . Thenceforward he complains no more of Arden's ...
... Orlando with true ' gentleness ' , and , having sheathed his sword , Orlando goes to fetch Adam and then joins ' the good man's feast ' , the visible token of order and concord in Arden . Thenceforward he complains no more of Arden's ...
Seite 156
... Orlando , mindful of another mistress , answers that he will ' chide no breather in the world ' but himself , against whom he knows ' most faults ' ( 11. 295-300 ) . Orlando's love leads him into absurdi- ties which appear as ' faults ...
... Orlando , mindful of another mistress , answers that he will ' chide no breather in the world ' but himself , against whom he knows ' most faults ' ( 11. 295-300 ) . Orlando's love leads him into absurdi- ties which appear as ' faults ...
Seite 158
... Orlando reiterate their ' compact ' ( V. iv . 5 ) for the last , unnecessary time , she invites our understanding as well as our enthusiasm . She delights to ' play the knave ' with Orlando ( III . ii . 314-15 ) , for the more she casts ...
... Orlando reiterate their ' compact ' ( V. iv . 5 ) for the last , unnecessary time , she invites our understanding as well as our enthusiasm . She delights to ' play the knave ' with Orlando ( III . ii . 314-15 ) , for the more she casts ...
Inhalt
Preface page | 9 |
Experiments in Comedy | 27 |
Loves Wealth and the Judgement of The 451 | 45 |
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accept action actors Adriana All's Antonio appearance Arden audience Bassanio Benedick and Beatrice Bertram Cesario characters Claudio Comedy of Errors comic conclusion contrast critics dance dialogue disorder doth dramatic duke early comedies eyes fairies Falstaff fool generosity give and hazard Helena Hero history-plays human ideal of love's ideas Illyria implicit judgement intrigue comedies Jaques Katharina king last scene Leonato lively Love's Labour's Lost love's order love's truth love's wealth lover's imagination lovers Malvolio Measure for Measure Merchant of Venice Merry Wives Midsummer Night's Dream mind narrative Olivia Orlando Orsino outward beauty Parolles Pedro Petruchio play plot Portia present recognizes relationships Romeo and Juliet Rosalind Sebastian seems Shake Shakespeare Shakespeare's comedies Shakespeare's ideal Shrew Shylock Silvius Sir Toby sonnets speak stage story structure suggested sweet thee theme Theseus thou Touchstone tragedies Troilus true Twelfth Night usury Viola vision wooing words