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ABSTRACT OF CONTENTS.

IN

N this little work I have endeavored to supply to teachers, their pupils, and other persons, a long-felt need of an Elocutionary Text-book, founded on philosophical principles. Principals of schools and others have frequently said to me, "Why do you not publish a book which shall embrace the principles you teach, and various exercises illustrative of those principles ?" I decided. that a brief work, with the natural laws of Time, Tone, and Emphasis explained, and their truth proved, would answer the general purpose better than the sort of book I had at first contemplated writing. The first division in "Reasonable Elocution" explains the necessity for, and the ease with which the speaking and reading voice can be cultivated; the manner of so doing, and exercises for the purpose; the plan being very similar to that used for the singing voice, the difference being that sentences are used for scales instead of "sca' or "do, re, mi," etc., and that they are spoken on regularly ascending and descending scales, designed for increasing the flexibility and compass of the speaking voice. Exercises for distinct utterance are also included in this division.

The division on "Time" is explanatory of the mental valuation of thoughts and sentiments by the changes in the "Time" of rendering. The natural management of

parentheses, similes, quotations, metaphors, the mar-
velous, parables, etc., is through changes in Time; the
philosophy of the principle which governs these changes,
and their propriety proved. Illustrations of the different
principles.

EMPHASIS.

Errors in

Its philosophy, and practical execution.
emphasis common among scholars. Natural laws which
should guide us in emphasis.

The "Emphatic Clause" is a new fact or idea, now
presented for the first time-it should be ascertained
without additional particular. The "Unemphatic
Clause" presents no new idea; it may be of repetition,
of sequence, of anticipation, etc., etc. Examples.

Emphatic Word. When the root idea is a word, that
word is emphatic. Emphasis, by "massing" several
words, presenting one and the same idea. Examples.

Clauses unemphatic through having been mentally
projected. Examples.

Emphasis by transfer when there are repeated words.
Examples.

A repeated word, having a new signification, has all
the logical power of a new word. Examples.

Psychological positives and negatives. Inflections of
voice indicate positive or negative attitudes of mind
with regard to thoughts. The mental stand-point, from
which we regard certain ideas or sentiments, gathered
by auditors from the sort of inflections we employ. The
main purpose of the speaker should be indicated by true
inflections. Examples.

Lectures, sermons, etc., are rendered obscure and con

The symbol of sublimity, the grand, the majestic, etc.,

the "Orotund." Examples.

The symbol of love, tenderness, affection, the Dimin-

uendo,
Imperceptible vanish. Illustrations.
Symbol of sorrow, grief, penitence, etc., the Semi-
tone. Examples.

Symbol of anger, wrath, etc., abrupt force. Exer-
cise for giving strength, volume, dignity to the voice.
Exercise on abrupt force, the skillful execution of
which (abrupt force) is one of the highest vocal attain-
ments, and becomes a security against injury to the
throat in speaking.

Symbols of aversion, praise, joy, sarcasm, etc. The

Aspirate symbol of earnestness, hate, etc.

for each

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