 | 2005 - 448 Seiten
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 | Richard Wolin - 1982 - 344 Seiten
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 | Brian Wallis - 1984 - 494 Seiten
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 | 2004
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 | A. Robert Lee - 1987 - 232 Seiten
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 | Dagmar Barnouw - 1988 - 358 Seiten
...setting.7" But it is the allegorist and he alone who will be able to read this script and reveal its truth: If the object becomes allegorical under the gaze of...unconditionally in his power. That is to say it is now quite incapable of emanating any meaning or significance of its own; such significance as it has, it acquires... | |
 | Wai Chee Dimock - 1989 - 268 Seiten
...subject—between the power of the former and the powerlessness of the latter—is especially pertinent: If the object becomes allegorical under the gaze of...unconditionally in his power. That is to say it is now quite incapable of emanating any meaning or significance of its own; such significance as it has, it acquires... | |
 | Patrick McGee - 1992 - 240 Seiten
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 | Patrick McGee - 1992 - 236 Seiten
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 | Karen Lawrence - 1992 - 332 Seiten
...since it empowers the allegorist to ascribe new values and meanings to the things of his or her world: "If the object becomes allegorical under the gaze...unconditionally in his power. That is to say it is now quite incapable of emanating any meaning or significance of its own; such significance as it has, it acquires... | |
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If the object becomes allegorical under the gaze of melancholy, if melancholy causes life to flow out of it and it remains behind dead, but eternally secure, then it is exposed to the allegorist, it is unconditionally in his power. That is to say it is... 
