Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 159
... Captain wants his daughter to leave home , to study with a freethinker in town , to become an atheist , and to be independent . If Laura were truly a feminist , she would want these very things for her daughter , to prove that " women ...
... Captain wants his daughter to leave home , to study with a freethinker in town , to become an atheist , and to be independent . If Laura were truly a feminist , she would want these very things for her daughter , to prove that " women ...
Seite 161
... Captain's premise , but asks a question about it that exposes his part of the blame in hiring the man in the first place . Like a ju jitsu wrestler , she blithely turns her attacker's own force against him . This active / passive , yang ...
... Captain's premise , but asks a question about it that exposes his part of the blame in hiring the man in the first place . Like a ju jitsu wrestler , she blithely turns her attacker's own force against him . This active / passive , yang ...
Seite 162
... Captain in an entire household of females : his wife , their daughter , the nurse , and the unseen mother - in - law ... Captain . In the final scene , the Captain draws his revolver on these maddening females ; it is a phallic symbol ...
... Captain in an entire household of females : his wife , their daughter , the nurse , and the unseen mother - in - law ... Captain . In the final scene , the Captain draws his revolver on these maddening females ; it is a phallic symbol ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York