Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 169
... Ibsen in the long run is not so crude as to suggest that thought is literally omnipotent ; all the things Solness wished for could have occurred by accident , or in this case , by Kaja's sensitivity to nuances of expression and attitude ...
... Ibsen in the long run is not so crude as to suggest that thought is literally omnipotent ; all the things Solness wished for could have occurred by accident , or in this case , by Kaja's sensitivity to nuances of expression and attitude ...
Seite 170
... Ibsen's Middle Plays ( Lewisburg , Pa .: Bucknell University Press , 1981 ) . 3. Henrik Ibsen , Ibsen : The Complete Major Prose Plays , trans . Rolf Fjelde ( New York : Farrar Straus Giroux , 1978 ) , 567. All subsequent quotations of ...
... Ibsen's Middle Plays ( Lewisburg , Pa .: Bucknell University Press , 1981 ) . 3. Henrik Ibsen , Ibsen : The Complete Major Prose Plays , trans . Rolf Fjelde ( New York : Farrar Straus Giroux , 1978 ) , 567. All subsequent quotations of ...
Seite 183
... Ibsen's Middle Plays . Lewisburg , Pa .: Bucknell University Press , 1981 . Script into Performance : A Structuralist View of Play Production . Austin : University of Texas Press , 1977 . Ibsen , Henrik Ibsen : The Complete Major Prose ...
... Ibsen's Middle Plays . Lewisburg , Pa .: Bucknell University Press , 1981 . Script into Performance : A Structuralist View of Play Production . Austin : University of Texas Press , 1977 . Ibsen , Henrik Ibsen : The Complete Major Prose ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York