Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 64
Richard Hornby. unity among the observers but also imply an order and permanence in the surrounding world , even when the ceremony itself is celebrating a change . When a play contains a broken or perverted ceremony , it does not imply ...
Richard Hornby. unity among the observers but also imply an order and permanence in the surrounding world , even when the ceremony itself is celebrating a change . When a play contains a broken or perverted ceremony , it does not imply ...
Seite 78
... Richard II , where Richard appears to be playing at being king , even though he actually is one . Yet looks he like a king . Behold , his eye , As bright as is the eagle's , lightens forth Controlling majesty . Alack , alack , for woe ...
... Richard II , where Richard appears to be playing at being king , even though he actually is one . Yet looks he like a king . Behold , his eye , As bright as is the eagle's , lightens forth Controlling majesty . Alack , alack , for woe ...
Seite 84
Richard Hornby. “ Year King ” ritual as an allegorical layer to their plays . Echoes of this ritual occur in such ... Richard III , Brecht main- tained that he should say to himself , “ I don't want to feel myself to be Richard III , but ...
Richard Hornby. “ Year King ” ritual as an allegorical layer to their plays . Echoes of this ritual occur in such ... Richard III , Brecht main- tained that he should say to himself , “ I don't want to feel myself to be Richard III , but ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York