Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 21
... Shakespeare's time . In addition , drama is a subsystem of theatre , which includes a multitude of performance practices that are nonverbal . Thus , the incident in which Falstaff lifts the dead Hotspur on his back draws upon the ...
... Shakespeare's time . In addition , drama is a subsystem of theatre , which includes a multitude of performance practices that are nonverbal . Thus , the incident in which Falstaff lifts the dead Hotspur on his back draws upon the ...
Seite 94
... Shakespeare's Hamlet is an adaptation of an " ur - Hamlet , " probably written by Thomas Kyd , but , even for its original audience , Shakespeare's version would have seemed self - contained ; Tom Stop- pard's Rosencrantz and ...
... Shakespeare's Hamlet is an adaptation of an " ur - Hamlet , " probably written by Thomas Kyd , but , even for its original audience , Shakespeare's version would have seemed self - contained ; Tom Stop- pard's Rosencrantz and ...
Seite 133
Richard Hornby. 8 Shakespeare As You Like It “ There's no clock in the forest . ” i Perception is one of Shakespeare's major concerns . His plays abound in dis- guises , mistaken identities , ambiguous sights , confusing noises ...
Richard Hornby. 8 Shakespeare As You Like It “ There's no clock in the forest . ” i Perception is one of Shakespeare's major concerns . His plays abound in dis- guises , mistaken identities , ambiguous sights , confusing noises ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York