Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 84
... York Actors ' Studio , under its influential leader , Lee Strasberg , that created the non - acting actor . Strasberg's advice to his student actors was " don't act — be . ” 26 It is usual to contrast the Stanislavski - Strasberg type ...
... York Actors ' Studio , under its influential leader , Lee Strasberg , that created the non - acting actor . Strasberg's advice to his student actors was " don't act — be . ” 26 It is usual to contrast the Stanislavski - Strasberg type ...
Seite 101
... York , our theatre center . As professional actors know very well , New York audiences , because of their long tradition of theatregoing , are more alert and responsive than most regional audiences . Watching a theatrical performance is ...
... York , our theatre center . As professional actors know very well , New York audiences , because of their long tradition of theatregoing , are more alert and responsive than most regional audiences . Watching a theatrical performance is ...
Seite 183
... York : Random House , 1969 . Landes , David S. Revolution in Time : Clocks and the Making of the Modern World . Cam- bridge : Harvard University Press , 1983 . Langer , Susanne K. Feeling and Form . New York : Scribners , 1953 ...
... York : Random House , 1969 . Landes , David S. Revolution in Time : Clocks and the Making of the Modern World . Cam- bridge : Harvard University Press , 1983 . Langer , Susanne K. Feeling and Form . New York : Scribners , 1953 ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York