Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 33
... action , like The Mousetrap in Shakespeare's Hamlet ; in the other , the " framed " type , the inner play is primary , with the outer play a framing device , like the Sly episodes in Shakespeare's The Taming of the Shrew . The two types ...
... action , like The Mousetrap in Shakespeare's Hamlet ; in the other , the " framed " type , the inner play is primary , with the outer play a framing device , like the Sly episodes in Shakespeare's The Taming of the Shrew . The two types ...
Seite 35
... action ( rather than just at the beginning , or beginning and end ) , sometimes describing events while the characters act them out simultaneously in dumb show . Or- dinarily , however , we do not feel that conventional framing devices ...
... action ( rather than just at the beginning , or beginning and end ) , sometimes describing events while the characters act them out simultaneously in dumb show . Or- dinarily , however , we do not feel that conventional framing devices ...
Seite 59
... action . A result is that full - scale ceremonies on stage are relatively rare in neoclassic drama , but they remain important as offstage events . In Racine's Phaedra , the homecoming of Theseus is perverted by illicit passions ...
... action . A result is that full - scale ceremonies on stage are relatively rare in neoclassic drama , but they remain important as offstage events . In Racine's Phaedra , the homecoming of Theseus is perverted by illicit passions ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York