Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 69
... acting and that of neurotic behavior . The unreality of an actor's role is fully understood by both the audience and the actor himself ; it is an “ agreed - upon fiction . " The unreality of a neurotic person washing his hands a hundred ...
... acting and that of neurotic behavior . The unreality of an actor's role is fully understood by both the audience and the actor himself ; it is an “ agreed - upon fiction . " The unreality of a neurotic person washing his hands a hundred ...
Seite 84
... Actors ' Studio , under its influential leader , Lee Strasberg , that created the non - acting actor . Strasberg's advice to his student actors was " don't act — be . ” 26 It is usual to contrast the Stanislavski - Strasberg type of actor ...
... Actors ' Studio , under its influential leader , Lee Strasberg , that created the non - acting actor . Strasberg's advice to his student actors was " don't act — be . ” 26 It is usual to contrast the Stanislavski - Strasberg type of actor ...
Seite 86
... acting , which resembles involuntary , inwardly con- trolled , compulsive role playing , as found in many plays . In character acting , the actor's ego boundary is temporarily let slip , as the actor , under the influence of powerful ...
... acting , which resembles involuntary , inwardly con- trolled , compulsive role playing , as found in many plays . In character acting , the actor's ego boundary is temporarily let slip , as the actor , under the influence of powerful ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York