Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 24
... actually a master of every nineteenth - century theatrical trick and convention . Chekhov seemed revolutionary but was actually writing traditional melodramas turned inside out , with the pivotal action ( a suicide , a duel , an auction ...
... actually a master of every nineteenth - century theatrical trick and convention . Chekhov seemed revolutionary but was actually writing traditional melodramas turned inside out , with the pivotal action ( a suicide , a duel , an auction ...
Seite 26
... actually perceived . At any given moment we are bombarded with such phenomena , which we must organize and catalog if we are to function at all efficiently . Thus , if I were to ask a visitor to my office what the walls were made of ...
... actually perceived . At any given moment we are bombarded with such phenomena , which we must organize and catalog if we are to function at all efficiently . Thus , if I were to ask a visitor to my office what the walls were made of ...
Seite 151
... actually includes three animals — a cat , a monkey , and a horse — the last of which urinates on stage . Man's animal nature is exposed here ; just as Büchner inverts the social hierarchy of traditional drama by making Woyzeck lower ...
... actually includes three animals — a cat , a monkey , and a horse — the last of which urinates on stage . Man's animal nature is exposed here ; just as Büchner inverts the social hierarchy of traditional drama by making Woyzeck lower ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York