Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 143
... already quoted , says he would love Rosalind " forever and a day " ( 4.1.132 ) ; ever the romantic , he sees love as timeless , in the idealist , Platonic sense . Love for him is eternal and unchang- ing . Rosalind , however , in the ...
... already quoted , says he would love Rosalind " forever and a day " ( 4.1.132 ) ; ever the romantic , he sees love as timeless , in the idealist , Platonic sense . Love for him is eternal and unchang- ing . Rosalind , however , in the ...
Seite 156
... already taking place , simultaneously . Indeed , even before they entered , the audience were confronted with soldiers from the play marching in and around the building . Once inside the performance area , they saw Woyzeck already ...
... already taking place , simultaneously . Indeed , even before they entered , the audience were confronted with soldiers from the play marching in and around the building . Once inside the performance area , they saw Woyzeck already ...
Seite 175
... already furnished flat , cannot remember what he did with a letter from Emma . He says that Emma wore white at their wedding ; she insists that she did not . Three times during the play he remembers throwing Emma's daughter up in the ...
... already furnished flat , cannot remember what he did with a letter from Emma . He says that Emma wore white at their wedding ; she insists that she did not . Three times during the play he remembers throwing Emma's daughter up in the ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York