Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 37
... appears at the beginning of each act . These dumb shows are not integrated into the main play , however , since they neither directly acknowledge nor are ac- knowledged by it . Instead , they anticipate Brecht's “ alienation effect ...
... appears at the beginning of each act . These dumb shows are not integrated into the main play , however , since they neither directly acknowledge nor are ac- knowledged by it . Instead , they anticipate Brecht's “ alienation effect ...
Seite 39
... appears occasionally , in attenuated form , as in John Gay's The Beggar's Opera ( 1728 ) , which has a brief induction by a beggar , the supposed author of the piece . The inset type appears in burlesque plays like Villiers's The ...
... appears occasionally , in attenuated form , as in John Gay's The Beggar's Opera ( 1728 ) , which has a brief induction by a beggar , the supposed author of the piece . The inset type appears in burlesque plays like Villiers's The ...
Seite 91
... appears and the sinning woman is overcome with repentance . This is a poem that Chekhov refers to on several ... appear . ( By “ real - life " reference , I of course do not mean necessarily alive , but drawn only from actuality . ) The ...
... appears and the sinning woman is overcome with repentance . This is a poem that Chekhov refers to on several ... appear . ( By “ real - life " reference , I of course do not mean necessarily alive , but drawn only from actuality . ) The ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York