Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 19
... artistic activity . Barthes seems toʻimply that literature is a meaningless game , perhaps a highbrow form of crossword puzzles . Frye's sys- tem does reflect life ultimately , but only on a very general level — the seasons , the ...
... artistic activity . Barthes seems toʻimply that literature is a meaningless game , perhaps a highbrow form of crossword puzzles . Frye's sys- tem does reflect life ultimately , but only on a very general level — the seasons , the ...
Seite 106
... artistic experience ? What makes listening to a symphony or seeing a painting or watching a play pleasur- able , in contrast to watching or listening to something — even the same thing — in real life ? As Aristotle long ago noted ...
... artistic experience ? What makes listening to a symphony or seeing a painting or watching a play pleasur- able , in contrast to watching or listening to something — even the same thing — in real life ? As Aristotle long ago noted ...
Seite 107
... artistic experience , based in his book , Jokes and Their Relation to the Unconscious , and expanded by theorists like Ernst Kris and Ernest Jones , is profound in its insight . Nevertheless , it is far too limiting . It tends not to ...
... artistic experience , based in his book , Jokes and Their Relation to the Unconscious , and expanded by theorists like Ernst Kris and Ernest Jones , is profound in its insight . Nevertheless , it is far too limiting . It tends not to ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York