Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 62
Seite 14
... become opposed in every conceivable way - in so- cial , economic , political , and personal contexts . Actually , however , a binary opposition may be inappropriate to the reality that it describes , leading to sterile , automatic ...
... become opposed in every conceivable way - in so- cial , economic , political , and personal contexts . Actually , however , a binary opposition may be inappropriate to the reality that it describes , leading to sterile , automatic ...
Seite 96
... becomes " Pierpont Mauler , ” John Wanamaker and John D. Rockefeller are telescoped into " Ezra D. Wan- nafeller ... become a literary convention , which can then be parodied . A play in which a farmer swindles a visitor from the ...
... becomes " Pierpont Mauler , ” John Wanamaker and John D. Rockefeller are telescoped into " Ezra D. Wan- nafeller ... become a literary convention , which can then be parodied . A play in which a farmer swindles a visitor from the ...
Seite 145
... become possible to divide it into a billion.1 " By its essential nature , " wrote Lewis Mumford , the clock ... become something objective , controlling us . Like Touchstone , we now all carry watches , or " dials , ” around with us ...
... become possible to divide it into a billion.1 " By its essential nature , " wrote Lewis Mumford , the clock ... become something objective , controlling us . Like Touchstone , we now all carry watches , or " dials , ” around with us ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York