Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 33
... called The Elephant Calf , which , while having strong thematic connections with the main play , is in no way acknowledged by the main play's characters or action . In the popular theatre , with its long tradition of entr'acte ...
... called The Elephant Calf , which , while having strong thematic connections with the main play , is in no way acknowledged by the main play's characters or action . In the popular theatre , with its long tradition of entr'acte ...
Seite 69
... called " the anti - theatrical prejudice . " Barish , who is not a psycho- analyst but a distinguished literary critic , has ably shown that society's feelings toward actors have nearly always been strongly ambivalent . Even today ...
... called " the anti - theatrical prejudice . " Barish , who is not a psycho- analyst but a distinguished literary critic , has ably shown that society's feelings toward actors have nearly always been strongly ambivalent . Even today ...
Seite 173
... called " the triumph of subjectivism . " This does not mean that it advocates withdrawing into solipsism , or even into introspection . It is very much concerned with the outer world , but with that world as it is perceived ; scientific ...
... called " the triumph of subjectivism . " This does not mean that it advocates withdrawing into solipsism , or even into introspection . It is very much concerned with the outer world , but with that world as it is perceived ; scientific ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York