Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 41
... century literature , the play is directly about the nature of art and the role of the artist . A Dream Play and The Sea Gull can be seen as prototypes for much of twentieth - century metadrama . The framed type of play within the play ...
... century literature , the play is directly about the nature of art and the role of the artist . A Dream Play and The Sea Gull can be seen as prototypes for much of twentieth - century metadrama . The framed type of play within the play ...
Seite 65
... century , the Newtonian view of the universe had become firmly entrenched ; there was a general faith in a universe running according to fixed scientific laws . It is perhaps stretching things to call the nineteenth - century scientific ...
... century , the Newtonian view of the universe had become firmly entrenched ; there was a general faith in a universe running according to fixed scientific laws . It is perhaps stretching things to call the nineteenth - century scientific ...
Seite 145
... century , the second hand had been introduced . With the invention of the marine chronometer in the eighteenth century , it indeed became possible to “ divide a minute into a thousand parts , " and in the twentieth century it has become ...
... century , the second hand had been introduced . With the invention of the marine chronometer in the eighteenth century , it indeed became possible to “ divide a minute into a thousand parts , " and in the twentieth century it has become ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York