Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 9
... chapter two in a lecture series sponsored by the English Department of Florida State University ; chapter four at the Mardi Gras Symposium on “ Carnival , Masks , and Disguises in World Theatre " at Louisiana State University ; chapter ...
... chapter two in a lecture series sponsored by the English Department of Florida State University ; chapter four at the Mardi Gras Symposium on “ Carnival , Masks , and Disguises in World Theatre " at Louisiana State University ; chapter ...
Seite 117
... chapter , we saw that the serious playwright , unlike the hack , attempts to alter the drama / culture complex rather than simply exploiting it without changing it . In the second chapter , we also saw that , while all drama is in a ...
... chapter , we saw that the serious playwright , unlike the hack , attempts to alter the drama / culture complex rather than simply exploiting it without changing it . In the second chapter , we also saw that , while all drama is in a ...
Seite 121
... chapter and those that remain , I shall examine six standard plays from differing periods — Oedipus the King ... chapters are examples of " practical " criticism , interpreting individual plays in detail , in contrast to the more general ...
... chapter and those that remain , I shall examine six standard plays from differing periods — Oedipus the King ... chapters are examples of " practical " criticism , interpreting individual plays in detail , in contrast to the more general ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York