Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 67
... characters in the inner performance also as individuals in the outer performance . In Midsummer Night's Dream , for example , we see the menials as themselves in the outer play , and as Pyramus , Thisbe , the wall , the lion , and the ...
... characters in the inner performance also as individuals in the outer performance . In Midsummer Night's Dream , for example , we see the menials as themselves in the outer play , and as Pyramus , Thisbe , the wall , the lion , and the ...
Seite 81
... characters who are like Peer Gynt , those identities are like the peels of an onion , covering no core . Unlike Molière's characters , Peer and his successors are either depicted as being always " onstage , " or else their " backstage ...
... characters who are like Peer Gynt , those identities are like the peels of an onion , covering no core . Unlike Molière's characters , Peer and his successors are either depicted as being always " onstage , " or else their " backstage ...
Seite 175
... characters ' stories are more and more revealed , as if the characters were being psychoanalyzed . All those questions like the ones asked of Lamb- " Are you often puzzled ? By women ? By men ? " — are ostensibly being answered for us ...
... characters ' stories are more and more revealed , as if the characters were being psychoanalyzed . All those questions like the ones asked of Lamb- " Are you often puzzled ? By women ? By men ? " — are ostensibly being answered for us ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York