Drama, Metadrama and Perception

acting action actor actually already appears audience background become called Captain caused century ceremony chapter characters comes complex contrast course critics culture defined depicted device drama dream effect elements entire example existence experience fact father feel final framed given happened human Ibsen identity illusion important individual inner interesting intuitive kind King later literary literature live look major means merely metadramatic nature never noted objects occurs Oedipus original outer parody perception performance period person playwright plot possible present production provides question real-life realistic reality reason recognize reference reflect result Richard ritual role playing Rosalind scene seems seen self-reference sense Shakespeare's Similarly society speech stage story tells theatre theatrical theory things thinking thought traditional tragedy true turn University usually whole Woyzeck writing written York