Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 46
... contrast to a greater reality somewhere else . Life may be bad , so that one may even be better off dead , but it is all too real . Shakespeare and his contemporaries viewed life as an illusion , a secondary world in contrast to the ...
... contrast to a greater reality somewhere else . Life may be bad , so that one may even be better off dead , but it is all too real . Shakespeare and his contemporaries viewed life as an illusion , a secondary world in contrast to the ...
Seite 70
... contrast to a threatening ' outside , ' not self . ” 5 The mechanism is thus very much the same as that of sexual repression gener- ally , as we learn to limit our desires through contact with what Freud called the reality principle ...
... contrast to a threatening ' outside , ' not self . ” 5 The mechanism is thus very much the same as that of sexual repression gener- ally , as we learn to limit our desires through contact with what Freud called the reality principle ...
Seite 172
... contrast to the crude , ugly sexual rela- tionships in previous Pinter plays , quite civilized and sometimes even idyllic . Furthermore , while the changing sexual relationships can once again be seen as a ritual pattern of the type ...
... contrast to the crude , ugly sexual rela- tionships in previous Pinter plays , quite civilized and sometimes even idyllic . Furthermore , while the changing sexual relationships can once again be seen as a ritual pattern of the type ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York