Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 71
... course largely irrational . Sexual drives need outlets as well as constraints ; sexual promiscuity is antisocial , neurotic behavior , but sexual impotence or frigidity are also neurotic . Similarly , if people remained forever in a ...
... course largely irrational . Sexual drives need outlets as well as constraints ; sexual promiscuity is antisocial , neurotic behavior , but sexual impotence or frigidity are also neurotic . Similarly , if people remained forever in a ...
Seite 99
... course , been rehearsed , but still , if something goes wrong at a particular performance , it cannot be erased . The live nature of theatre is not a foreground element but a background one ; it is , in structuralist terms , not parole ...
... course , been rehearsed , but still , if something goes wrong at a particular performance , it cannot be erased . The live nature of theatre is not a foreground element but a background one ; it is , in structuralist terms , not parole ...
Seite 159
... course lost on his wife , who merely replies , " Then the lock must be forced ” ( 17 ) . Throughout this scene , Laura is continually asking questions : Does she have to keep accounts now ? Does a mother have no say in the religious ...
... course lost on his wife , who merely replies , " Then the lock must be forced ” ( 17 ) . Throughout this scene , Laura is continually asking questions : Does she have to keep accounts now ? Does a mother have no say in the religious ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York