Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 17
... Criticism , maintained that literature forms a vast system that reflects the basic rhythms of life . His method is sometimes misinterpreted as simple genre criticism , in which the critic merely sets up categories for pigeonholing ...
... Criticism , maintained that literature forms a vast system that reflects the basic rhythms of life . His method is sometimes misinterpreted as simple genre criticism , in which the critic merely sets up categories for pigeonholing ...
Seite 92
... criticism , it also moves toward the play as self - reference . The audience cannot help but apply the same standards ... Critics have compared Shaw's Pygmalion to the stories of Cinderella and the Ugly Duckling ; 92 Varieties of the ...
... criticism , it also moves toward the play as self - reference . The audience cannot help but apply the same standards ... Critics have compared Shaw's Pygmalion to the stories of Cinderella and the Ugly Duckling ; 92 Varieties of the ...
Seite 123
... critics have discussed the play in similar terms ; Francis Fergusson , for example , extended the notion of existential recognition to the chorus : If one thinks of the movement of the play , it appears that the tragic rhythm analyzes ...
... critics have discussed the play in similar terms ; Francis Fergusson , for example , extended the notion of existential recognition to the chorus : If one thinks of the movement of the play , it appears that the tragic rhythm analyzes ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York