Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 38
... depicted is in fact not a performance but a rehearsal . But the latter possibility is also troublesome , since there are no other audience members depicted in the entire auditorium ; why would DeWitt show audience members only in the ...
... depicted is in fact not a performance but a rehearsal . But the latter possibility is also troublesome , since there are no other audience members depicted in the entire auditorium ; why would DeWitt show audience members only in the ...
Seite 95
... depicted that referring to him produces no disruption . The character of Willy Loman in Arthur Miller's Death of a Salesman , for example , is based on Miller's father , but since all but a few of the audience neither knew nor had ever ...
... depicted that referring to him produces no disruption . The character of Willy Loman in Arthur Miller's Death of a Salesman , for example , is based on Miller's father , but since all but a few of the audience neither knew nor had ever ...
Seite 158
... depicted as rounded , complex , real - life people . Strindberg provides very little background on them , or realistic detail ; we do not even discover their last name . Instead , the Captain and Laura stand for masculine and feminine ...
... depicted as rounded , complex , real - life people . Strindberg provides very little background on them , or realistic detail ; we do not even discover their last name . Instead , the Captain and Laura stand for masculine and feminine ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York