Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
Im Buch
Ergebnisse 1-3 von 36
Seite 35
... device , although they do employ all the other metadramatic devices , some of them in abundance . They also employ many of the conventional framing and inset techniques already discussed , such as the chorus and the prologue , that have ...
... device , although they do employ all the other metadramatic devices , some of them in abundance . They also employ many of the conventional framing and inset techniques already discussed , such as the chorus and the prologue , that have ...
Seite 67
... device , found in the drama of many cultures and periods . It is often found in tandem with the play or ceremony within the play , whenever we see the characters in the inner performance also as individuals in the outer performance . In ...
... device , found in the drama of many cultures and periods . It is often found in tandem with the play or ceremony within the play , whenever we see the characters in the inner performance also as individuals in the outer performance . In ...
Seite 85
... device for exploring existential concerns , and the ceremony within the play a device for exploring social concerns , role playing within the role is a device for exploring the concerns of the individual . This is not the individual in ...
... device for exploring existential concerns , and the ceremony within the play a device for exploring social concerns , role playing within the role is a device for exploring the concerns of the individual . This is not the individual in ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York