Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 38
... dream . Since he never afterward knows whether what is happening may be a dream or not , he eventually becomes a good king . The idea expressed is the traditional Christian one of contemptus mundi , with a new , theatrical twist ...
... dream . Since he never afterward knows whether what is happening may be a dream or not , he eventually becomes a good king . The idea expressed is the traditional Christian one of contemptus mundi , with a new , theatrical twist ...
Seite 41
Richard Hornby. beings . Two things differentiate this play from dream plays and dream se- quences of the past : For one thing , dream - like though the play may be , it is not clear who " the dreamer " Strindberg refers to in his ...
Richard Hornby. beings . Two things differentiate this play from dream plays and dream se- quences of the past : For one thing , dream - like though the play may be , it is not clear who " the dreamer " Strindberg refers to in his ...
Seite 112
... dream , as the principal character , experiencing all the events . Nor is he aware that he is dreaming ; the events ... dream screen , ” analogous to a movie screen “ on to which the visual imagery of a dream can be imagined to be ...
... dream , as the principal character , experiencing all the events . Nor is he aware that he is dreaming ; the events ... dream screen , ” analogous to a movie screen “ on to which the visual imagery of a dream can be imagined to be ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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