Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 22
... effect . When Riemann , in the mid - nineteenth century , invented non - Euclidean geometry , the result was seen as as intellectual curiosity only , a self - contained system that was as intellectually rigorous as traditional Euclidean ...
... effect . When Riemann , in the mid - nineteenth century , invented non - Euclidean geometry , the result was seen as as intellectual curiosity only , a self - contained system that was as intellectually rigorous as traditional Euclidean ...
Seite 95
... effect is proportional to the degree to which the audience recognizes what is being referred to , and whether it is recent , controversial , and unique . Again , much real - life reference is thus not metadramatic . A playwright may ...
... effect is proportional to the degree to which the audience recognizes what is being referred to , and whether it is recent , controversial , and unique . Again , much real - life reference is thus not metadramatic . A playwright may ...
Seite 96
... effect must have been quite striking on the original audience . ( Again , of course , this effect has worn off , for all but scholars of Greek society . ) In satirical reviews common to all periods , such as the one given each year by ...
... effect must have been quite striking on the original audience . ( Again , of course , this effect has worn off , for all but scholars of Greek society . ) In satirical reviews common to all periods , such as the one given each year by ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York