Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 23
... elements , but the serious play will call some of those very elements into question , making them seem strange— “ alienated , " to use Brecht's termi- nology , or “ defamiliarized , ” in the terminology Drama and Reality 23.
... elements , but the serious play will call some of those very elements into question , making them seem strange— “ alienated , " to use Brecht's termi- nology , or “ defamiliarized , ” in the terminology Drama and Reality 23.
Seite 54
... elements are weak , as in the " Performance Art " of a Robert Foreman or Richard Wilson for example , the result is precisely the kind of play that we call " ceremonial ” or “ ritualistic . " The focus on elements of change can be taken ...
... elements are weak , as in the " Performance Art " of a Robert Foreman or Richard Wilson for example , the result is precisely the kind of play that we call " ceremonial ” or “ ritualistic . " The focus on elements of change can be taken ...
Seite 97
... elements per se in a play , rather than consider- ing what has been done to them , for if " reality " were truly the essential thing about a play , the " real " elements would be a distraction from rather than an enhancement of what ...
... elements per se in a play , rather than consider- ing what has been done to them , for if " reality " were truly the essential thing about a play , the " real " elements would be a distraction from rather than an enhancement of what ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York