Drama, Metadrama and PerceptionBucknell University Press, 1986 - 189 Seiten |
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Seite 33
... existence of The Mousetrap performance , preparing for it , watching it , and commenting on it . Hamlet himself breaks up the performance , thus actually intruding upon it . In other plays , however , there may be much less integration ...
... existence of The Mousetrap performance , preparing for it , watching it , and commenting on it . Hamlet himself breaks up the performance , thus actually intruding upon it . In other plays , however , there may be much less integration ...
Seite 34
... existence . Curtain raisers and afterpieces do not really create a metadramatic frame ; interludes are not really metadramatic insets . I would insist further that full - fledged metadramatic framing does not occur unless the outer ...
... existence . Curtain raisers and afterpieces do not really create a metadramatic frame ; interludes are not really metadramatic insets . I would insist further that full - fledged metadramatic framing does not occur unless the outer ...
Seite 35
... existence of such inset pieces , but they do not acknowledge them as performance . The theatre audience accepts such devices because they are used to them , noticing no strong shift in the mode of representation . Again , they do not ...
... existence of such inset pieces , but they do not acknowledge them as performance . The theatre audience accepts such devices because they are used to them , noticing no strong shift in the mode of representation . Again , they do not ...
Inhalt
Acknowledgments | 9 |
Sophocles Oedipus the King | 121 |
Shakespeare As You Like It | 133 |
Urheberrecht | |
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acting actor actually archetype Aristophanes artistic August Strindberg avant-garde background become Bertolt Brecht Brecht Büchner Captain ceremony characters comedies contrast critics culture defined depicted device drama/culture complex dramatic illusion dream Duke Euripides example fact father feel Forest of Arden framed Freud Greek Hamlet Harold Pinter human Ibsen identity inner play inset type intuitive Jaques King Laius Laura literature live Macbeth main play means metadramatic modern drama Molière murder nature neurotic never Oedipus Oedipus the King offstage Orlando Othello outer play parody perception performance person Pinter play's playwright plot primary process process thinking process thought production R. D. Laing real-life reference realistic reality recognize Richard Richard II ritual role playing Rosalind scene script seems self-reference sense sexual Shakespeare's Similarly society Solness Solness's Sophocles speech stage Strindberg Teiresias theatre theatrical things Touchstone traditional tragedy turn unconscious unconscious mind Woyzeck York